Kara Walker interview: 'The whole reason for refining sugar is to make it white'
Kara Walker: Fons Americanus review, Turbine Hall, Tate Modern - noble ambition let down by rubbery sharks
kara walker captures the reality of britain's colonial past at tate modern
Brooklyn Museum: Kara Walker: “African Boy Attendant Curio (Bananas)”
Kara Walker's Subtlety - Longreads
Kara Walker gives talk at Radcliffe Institute about her life and art | Harvard Magazine
Kara Walker on Her Bittersweet Colossus
Artist Kara Walker Draws Us Into Bitter History With Something Sweet : NPR
Do You Find Europe's Grand Public Fountains Charming? Kara Walker's Spectacular Turbine Hall Commission May Change That
What Does Kara Walker's Sugary Sphinx Tell Us?
The Sugar Sphinx | The New Yorker
Kara Walker
Kara Walker's Sugar Sphinx Draws 130K Visitors, up to 10K/Day – ARTnews.com
Kara Walker's Aftermath at Sikkema Jenkins
Jeffrey Kastner on Kara Walker - Artforum International
Kara Walker's Fons Americanus | Tate
Kara Walker Takes a Monumental Jab at Britannia - The New York Times
Kara Walker - Sculpture
After the Sphinx, Kara Walker Is a New Kind of Public Figure
Kara Walker | Kara Walker, 2015
White People Problems: On Kara Walker and the Way White People Interact with Black Art - Brooklyn Magazine
Kara Walker's Fons Americanus | Tate
Kara Walker Turbine Hall review – a shark-infested monument to the victims of British slavery | Turbine Hall | The Guardian
Kara Walker Creates a Confection at the Domino Refinery - The New York Times
Kara Walker Debuts Monumental Fountain at Tate—and More Art News – ARTnews.com
The Prop Maker Behind Kara Walker's Monumental Fountain - ELEPHANT
